Humanity now faces the possibility that it will become extinct over the next few decades or so. This is not simply a reality about the biological fate of the species; it also raises the prospect of thought’s own extinction. But what does it mean for thought that it, too, might disappear?
Thought’s possible disappearance shatters the assumption, at work across all the institutions and disciplines of the West, that one version or another of thought is enduring and will survive. As it turns out, no familiar practice rests on a secure ground; under the sign of the terminus - the prospect of humanity’s extinction - each one is shattered and undone. The cultural legacy becomes a field of rubble.
In dozens of short essays, this book moves through this field. It takes up a host of specific inheritances and traces how each is shattered and transformed by an extinct thought. It engages with religion, philosophy, history, literature, ethics, studies of political power and resistance, and depictions of humanity’s place in the nonhuman world. It reconsiders the emergence of capitalism and of biopower, the science of climate change, the import of mediation and technology, and philosophies of temporality. Moreover, it contends with many innovative waves of thought over the past two centuries, from German idealism to deconstruction, from psychoanalysis to queer theory, from decolonizing theory to Afropessimism, and from the critique of ideology to speculative realism. It concludes by assessing what it is like for thought, having confronted its extinction, to live on in this debris, to dance with its own oblivion.
David Collings is Professor of English at Bowdoin College, where he teaches courses in British Romanticism, critical theory, sexuality and gender, and environmental studies. He is the author of Stolen Future, Broken Present: The Human Significance of Climate Change at Open Humanities Press, as well as several books on the deformation of cultural practices in the era of British Romantic literature, including Wordsworthian Errancies: The Poetics of Cultural Dismemberment (1994), Monstrous Society: Reciprocity, Discipline, and the Political Uncanny, c. 1780-1848 (2009); Disastrous Subjectivities: Romanticism, Modernity, and the Real (2019); and Blank Splendor: Mere Existence in British Romanticism (2024). He co-edited Queer Romanticisms with Michael O’Rourke (2004-5) and Romanticism and Disaster with Jacques Khalip (2012). He has written articles on laboring with disaster, the poetics of the vanishing commons, the hospitality of oblivion, the undoing of the rainbow covenant, and economies of death. He has served as Chair of the Board of the North American Society for the Study of Romanticism.